Oloruntoba-Oju, Omotayo2023-12-122023-12-122011-02-03Adesokan, Akin. “Contemporary English Language Theatre in Nigeria.” Glendora Review: African Quarterly of the Arts 11.4 (2002): 89 - 101. Print. Austlit, “Australian Popular Theatre.” Accessed 22 Oct, 2009. httn:/Avww.austlit.edu.au/specialistDatasets/AustPopTheatre Brecht, Bertolt, “The Popular and the Realistic.” In David Craig (ed.) Marxists in Literature. Penguin Books Ltd.. 1975. Print. Eagleton, Terry, Marxism and Literary Criticism. London: Methuen, 1976. Print. Kidd, Ross and Martin Bryram, “Participatory Research Project.” Working Paper No. 5, Presented on “Popular Theatre: A Technique Research, Toronto: Kravetz, Diane. Lenin. V.I. Literature and Art. Moscow: Progress Publishers, 1975. Print. McGrath, John, A Good Night Out: Popular Theatre, Audience, Class and Fonn. London: Methuen, 1981. Print. Mdoe. Abdalla, R. Popular Theatre and its Role in Participation in Social Development. Accessed 16 July 2010. http://www.hakikazi.org/papers01/am01.pdf. Mwansa, Dickson. “Popular Theatre Research Techniques: Step by with Examples. Paper presented at the International Theatre Institute, Lusaka, 1981. —. “Theatre as a Tool for Communication.” Ifda Dossier 42, July/August 1984. Accessed 12 June 2011. http://www.dhf.uu.se/ifda/readerdocs/pdf/doss 42.pdf.https://keffi.nsuk.edu.ng/handle/20.500.14448/3204In every society that is fraught with antagonistic class relations, which most societies are,there exist two main ideologically defined ancl oppositional grouping: the class of the oppressed and that of the oppressor. Consequently, class struggle or the struggle for emancipation of the oppressed becomes inevitable, and this struggle is normally waged at different levels of society, including the level of theatrical aesthetics. Popular drama has often been realized as a medium for conscientization and mobilization of the popular masses. This perception intersects with the role of art in general and drama in particular as part of the “superstructure ” of society, with tremendous effect on the socio-political ubase ” of the society. In this article we re-examine the dimensions of popular drama in Nigeria and how it has and has been perceived. We also compare the situation with some other established popular theatres of other nations in other to locate the relational status and character of the Nigerian variant of the theatre.enThesis