Le Portrait de la femme africaine a travers Les Arbres en parlent encore de Calixthe Beyala

dc.contributor.authorObi, Esther Ebere
dc.date.accessioned2023-12-12T10:02:47Z
dc.date.available2023-12-12T10:02:47Z
dc.date.issued2019-03-01
dc.description.abstractThe African woman at all times has often been considered as submissive or silent because of the way she is perceived by the society, Her situation in her conjugal home or even in the society has often been relegated to the background. In the African society of old, writers and critiques have presented woman as completely submissive and silent. The women, according to some ancient writers do not react to unfavourable treatments meted out by men in the African society. Thus, she is portrayed as if she has no grudges against her unfavourable situations. However, this view has changed with female writers coming into the scene.en_US
dc.identifier.citationAdebayo, Aduke. "The Language of contemporary Francophone African Novels" in The French ■ Language and literary expressions. Conference proceedings, UFTAN, October 1999. Beti, Mongo. Branle-bas en noir et blanc. Paris : Editions Julliard, 2000. Beyala, Calixthe. Les Arbres en parlent encore. Paris : Editions Albin Michel, 2002. Chipara, Margrett et Ncube Gibson. "Sexuality and Madness: Versions and Subversions in Calixthe Beyala's Femme nue femme noire and Paulina Chiaziane's Niketche: Uma poligamia" in Counter-cultures in contemporary Africa. Postambul 8 (1), 2012.en_US
dc.identifier.urihttps://keffi.nsuk.edu.ng/handle/20.500.14448/3350
dc.language.isofren_US
dc.publisherDepartment of French Nasarawa State University Keffien_US
dc.subjectCalixthe Beyala, revoltee, sexe, amour, polygamie, rapport, coi't.en_US
dc.titleLe Portrait de la femme africaine a travers Les Arbres en parlent encore de Calixthe Beyalaen_US
dc.typeArticleen_US

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